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Standing near the door was Jim Mahoney, Sinatra's press agent, a somewhat chunky young man with a square jaw and narrow eyes who would resemble a tough Irish plainclothesman if it were not for the expensive continental suits he wears and his exquisite shoes often adorned with polished buckles.

Also nearby was a big, broad-shouldered two-hundred-pound actor named Brad Dexter who seemed always to be thrusting out his chest so that his gut would not show.

Undoubtedly the words from this song, and others like it, had put millions in the mood, it was music to make love by, and doubtless much love had been made by it all over America at night in cars, while the batteries burned down, in cottages by the lake, on beaches during balmy summer evenings, in secluded parks and exclusive penthouses and furnished rooms, in cabin cruisers and cabs and cabanasin all places where Sinatra's songs could be heard were these words that warmed women, wooed and won them, snipped the final thread of inhibition and gratified the male egos of ungrateful lovers; two generations of men had been the beneficiaries of such ballads, for which they were eternally in his debt, for which they may eternally hate him.

Nevertheless here he was, the man himself, in the early hours of the morning in Beverly Hills, out of range.

Brad Dexter has appeared in several films and television shows, displaying fine talent as a character actor, but in Beverly Hills he is equally known for the role he played in Hawaii two years ago when he swam a few hundred yards and risked his life to save Sinatra from drowning in a riptide.

Sinatra's intonation, precisely clipped, yet full and flowing, gave a deeper meaning to the simple lyricsit was like so many of his classics, a song that evoked loneliness and sensuality, and when blended with the dim light and the alcohol and nicotine and late-night needs, it became a kind of airy aphrodisiac. Although the others are terrified of him at first, they grow to like him once they find that he is pacifistic and friendly. He is rather afraid of the penguins in their attempts to be nice to him, mainly because he's often the target of unintentional injury. An adorable little duckling whose egg came under the penguins' care during "Parental Egg-Stinct". After getting thwarted by the penguins in one episode, he loses his job and reappeared later on as an exterminator and so on. A paranoid koala who first appears in "Night and Dazed". An animal control officer who has made repeated, failed attempts to capture the penguins while they're out on the town.He also wore, as everybody seemed to know, a remarkably convincing black hairpiece, one of sixty that he owns, most of them under the care of an inconspicuous little grey-haired lady who, holding his hair in a tiny satchel, follows him around whenever he performs. The most distinguishing thing about Sinatra's face are his eyes, clear blue and alert, eyes that within seconds can go cold with anger, or glow with affection, or, as now, reflect a vague detachment that keeps his friends silent and distant.[image id='a46e9904-9d74-47c0-bb30-97b8d4f794f9' media Id='d7ef5df0-7dd1-426e-84c0-e4c647238132' caption='' loc='C' share='true' expand='true' size='medium'][/image]Leo Durocher, one of Sinatra's closest friends, was now shooting pool in the small room behind the bar.

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